麻豆传媒

Posted on: May, 12, 2025

On Sunday, June 8 at 7:00 pm, the 麻豆传媒 for Performing Arts at 麻豆传媒 will celebrate Grays Harbor鈥檚 rich history through music and storytelling with the original film Spirit of the Harbor and a full symphonic score performed live by the Grays Harbor Symphony.

Grays Harbor Symphony Composer in Residence and filmmaker Cathryn S. Davis produced, directed, wrote, and scored Spirit of the Harbor.

鈥淚 am so grateful to Dr. William Dyer and GHC for commissioning this job to me along with all the talented musicians who will be playing in the orchestra and singing,鈥� said Davis. 鈥淚t has been my honor to produce, direct, write, and score this film. I can鈥檛 wait to hear it live with orchestra!鈥�

Spirit of the Harbor will premiere as part of the Grays Harbor Symphony鈥檚 spring concert, which is titled Going Home and is directed by Dr. William Dyer. The evening concert will also feature Dvo艡谩k鈥檚 New World Symphony and the winners of the Grays Harbor Music Teachers Association Concerto Competition, Sam Dorsch and Ben Jurasin. Tickets to Going Home are available at or at the Box Office.

Making the Spirit of the Harbor

麻豆传媒 and the Karen Miekle Foundation commissioned the composition and accompanying film Spirit of the Harbor in June, 2023.

The film traces the vibrant story of Grays Harbor from 1890鈥�1930 and beyond, weaving together historical footage, archival images, and original narration, as well as contributions from community members today explaining 鈥渨hy we love Grays Harbor.鈥�

With the support of assistant director Clyde McDade, script supervisor Ann Hartman, historian John Larson of the Polson Museum, and many community volunteers, Davis and her team crafted a narrative that spans five sections: Pristine Country, Timber Train, Quinault Spirit, and Our Favorite Place. Larson narrated the film in a fun and informative manner.

Pristine Country and Timber Train

The film鈥檚 opening sections, Pristine Country and Timber Train, highlight the region鈥檚 natural beauty and timber industry roots, with period footage underscored by original orchestral and jazz-inspired compositions. 鈥淭he conductor of The Grays Harbor Symphony, Dr. William Dyer wanted me to work with John Larson, Director of the Poulson Museum,鈥� explained Davis. 鈥淲e met, along with my assistant director Clyde McDade, and viewed historical footage from the time frame and edited footage for the first section called Pristine Country.鈥� The group did the same scenario for Timber Train. After seeing train footage, Davis said she heard a Duke Ellington style in her head. 鈥淚 had never written a jazz piece for orchestra, so I needed to take some time to study this style of music,鈥� she remembered. 鈥淎fter editing vintage footage with John Larson, I took the footage back to my studio and wrote the music. It鈥檚 so much fun with the train footage hearing trumpet Wah Wahs and saxophone sounds as workers swing back and forth loading logs on a train.鈥�

Quinault Spirit

According to Davis, the third section of the film 鈥渦nfolded miraculously.鈥� Davis said she was looking on YouTube for a Quinault drum beat and came across a song written, sung, and performed by Quinault Nation President Guy Capoeman. 鈥淭he way he was singing and looking into the camera made me think that he was singing for me. The song moved me,鈥� said Davis. 鈥淚 immediately turned to my piano and wrote a counter melody for the orchestra to play along.  The piece spotlights a gorgeous cello solo by cellist, John O鈥橞rien.鈥�

With music in mind, Davis started researching the history of the Quinault Nation and gathering images to feature in the film, working alongside assistant director McDade, script supervisor Hartman, and many other community members. 鈥淲e received so much help finding images and history from Lee Marriot and Kelly Calhoun, President and Curator of the Moclips by the Sea Historical Society and Museum of the North Beach,鈥� explained Davis. 鈥淐lyde and I spent days with Nicole Law, Curator and Aubrey Della, Assistant Curator from the Quinault Tribal Museum finding images, treaties and learning about their culture. Many thanks to these museums for their help.鈥�

Our Favorite Place

The final section of the film celebrates present-day Grays Harbor, featuring community-submitted photos, videos, and artwork that reflect why locals love the region. 鈥淎fter studying all of these entries, we selected images to be part of the section and gave credit in the film to each participant,鈥� said Davis. 鈥淐lyde and I also ventured out into the cities of Grays Harbor getting photos and videos from people in various organizations. This was really fun to get to know so many people and their wonderful organizations of Grays Harbor.鈥�

Davis wrote the music for the final section of the film with an idea in mind of how she wanted it all to look. 鈥淔or example, this section is for a photo, this section video, and so on,鈥� she explained. 鈥淚 then worked for weeks with John Davidson editing these images to my music.  It is so fun and tells us so many things about the current grays harbor and the people who live here.鈥�

About Composer and Filmmaker Cathryn S. Davis

After producing commercials for years, Davis returned to college at 61 years old to study film scoring. She studied Music Theory at GHC before moving to St. Paul, Minnesota on a scholarship to a contemporary music conservatory, where she worked hard to learn as much as she could about film scoring.

鈥淧utting together a film and composing are both storytelling,鈥� said Davis. 鈥淚 love telling stories, but I experience sheer joy when I write music. I鈥檝e done many different creative jobs in my life, but I have never experienced this amount of joy until I started writing music for film.鈥�